... She blames the men who gave her too much credit and too much bad advice, but the real culprit is Veda, who hangs on her like a leech, bleeding Mildred dry until she blossoms as a coloratura soprano but not before committing one final act far too shocking for the 1945 version of Mildred Pierce to even contemplate—hence the trumpery murder plot. I think Veda’s last betrayal will jolt even modern viewers, and Evan Rachel Wood is amazing in her penultimate scene.
All the same, there are problems here. Haynes has shown his love for the Hollywood version of America’s past before, most notably in the remarkable but equally hard to like Far From Heaven (2002), and here it has gotten out of control. In words of one syllable? It’s too damn long. I suppose that sounds impudent, coming from a guy who’s written several doorstop-size novels, but I stand by it. When Emperor Joseph II purportedly told Wolfgang Amadeus Mozart that his new opera had too many notes, Mozart supposedly replied, “Only as many as necessary, Your Highness.” Using that metaphor, the Haynes version of Mildred Pierce has way too much sheet music...."
Full Review:
http://www.thedailybeast.com/blogs-and-stories/2011-03-20/stephen-king-reviews-hbos-mildred-pierce/2/
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Date: 2011-03-22 06:10 pm (UTC)no subject
Date: 2011-03-22 06:59 pm (UTC)no subject
Date: 2011-03-22 09:53 pm (UTC)Tempted again, dang it.
Stop tempting me! ;-)
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Date: 2011-03-22 11:20 pm (UTC)no subject
Date: 2011-03-23 12:04 am (UTC)Crawford as Pierce is an icon, but I am really looking forward to this reinterpretation, long or not.
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Date: 2011-03-23 01:11 am (UTC)no subject
Date: 2011-03-23 02:52 am (UTC)no subject
Date: 2011-03-23 02:52 am (UTC)no subject
Date: 2011-03-23 02:53 am (UTC)no subject
Date: 2011-03-23 02:54 am (UTC)