Aug. 21st, 2007

shipperx: (Heroes: Ando)
I'm not a hypocrit.  I don't believe that any actor or actress doing a guest stint on a show is going to ruin a show or a fandom.  For this reason, when it was announced that Kristin Bell was going to have a guest stint on Heroes, I didn't have a rant saying "OMG! She'll ruin the show" or complain that now her worshipful fans will begin writing crossover fics.  That's giving one actress and one fanfaction more importance than is logically merited (and this applies to many actresses, actors, and fanfactions).

But reading this morning's announcement that KB has signed on for 13 consecutive episodes with an option to extend the contract still further has disquieted me for several reasons.    I'm wary.

First off, the writers have already said that the storyline for the first half of the season  is so packed that certain regulars from last season are going to have to sit out some episodes and at least one is being killed off (as opposed to KB who will apparently be in 13 consecutively).  Secondly, how many new characters does this make now?  I've lost count, but it's a lot.  And while I squee about Uhura making a guest stint, it's clearly as a secondary character.  But this makes three regulars/semi-regulars (Yes, it's open for KB to perhaps become a regular) in addition to a cast of other guest shot appearances for multiple other actors.

The late, great Douglas Marland once wrote (a fairly famous) set of dos and don'ts for writing serials for television.  One of the rules was not to shove newbies down an audience's throat.  The audience resents it.  He counseled that it takes an audience three to six months to give a damn about new characters  And that's just one new character.  Heroes now has a bunch of newbies, (in addition to the Heroes:Origins series next spring ... on top of Heroes:Classic's  pretty frickin' huge cast).  Add in that the show already has not one but two blonde super heroines to service with storylines, and it's beginning to feel as though Heroes is pushing the envelope with how many new characters it can add to an already overflowing cast.

Sometimes it does a producer good to know when to stop expanding their universe and when the existing characters need adequate tending.

Yes, bringing in new blood is often a good thing.  But it should be handled in a measured way. We don't need a full body transfusion in a couple of hours. 

Maybe this will work out.  I would hate for Heroes to go from something loosely connected but fun to a giant hot mess.  I'm not saying that  it will.  I'm just saying that there's a chance that they're bringing in too many new characters all at once.  (Sort of like Joss did with Potentials).  

Serials -- like fanfic -- should remember that the audience tunes in largely for the characters who brought us to the show.  And, while new characters can certainly win our hearts, a flood of new characters placed front and center immediately doesn't allow much time for audience adjustment or the development of affection.    

Heroes
should tread carefully.   Don't grab for every bright, shiny, new thing. 
shipperx: (Heroes: Ando)
I'm not a hypocrit.  I don't believe that any actor or actress doing a guest stint on a show is going to ruin a show or a fandom.  For this reason, when it was announced that Kristin Bell was going to have a guest stint on Heroes, I didn't have a rant saying "OMG! She'll ruin the show" or complain that now her worshipful fans will begin writing crossover fics.  That's giving one actress and one fanfaction more importance than is logically merited (and this applies to many actresses, actors, and fanfactions).

But reading this morning's announcement that KB has signed on for 13 consecutive episodes with an option to extend the contract still further has disquieted me for several reasons.    I'm wary.

First off, the writers have already said that the storyline for the first half of the season  is so packed that certain regulars from last season are going to have to sit out some episodes and at least one is being killed off (as opposed to KB who will apparently be in 13 consecutively).  Secondly, how many new characters does this make now?  I've lost count, but it's a lot.  And while I squee about Uhura making a guest stint, it's clearly as a secondary character.  But this makes three regulars/semi-regulars (Yes, it's open for KB to perhaps become a regular) in addition to a cast of other guest shot appearances for multiple other actors.

The late, great Douglas Marland once wrote (a fairly famous) set of dos and don'ts for writing serials for television.  One of the rules was not to shove newbies down an audience's throat.  The audience resents it.  He counseled that it takes an audience three to six months to give a damn about new characters  And that's just one new character.  Heroes now has a bunch of newbies, (in addition to the Heroes:Origins series next spring ... on top of Heroes:Classic's  pretty frickin' huge cast).  Add in that the show already has not one but two blonde super heroines to service with storylines, and it's beginning to feel as though Heroes is pushing the envelope with how many new characters it can add to an already overflowing cast.

Sometimes it does a producer good to know when to stop expanding their universe and when the existing characters need adequate tending.

Yes, bringing in new blood is often a good thing.  But it should be handled in a measured way. We don't need a full body transfusion in a couple of hours. 

Maybe this will work out.  I would hate for Heroes to go from something loosely connected but fun to a giant hot mess.  I'm not saying that  it will.  I'm just saying that there's a chance that they're bringing in too many new characters all at once.  (Sort of like Joss did with Potentials).  

Serials -- like fanfic -- should remember that the audience tunes in largely for the characters who brought us to the show.  And, while new characters can certainly win our hearts, a flood of new characters placed front and center immediately doesn't allow much time for audience adjustment or the development of affection.    

Heroes
should tread carefully.   Don't grab for every bright, shiny, new thing. 
shipperx: (Heroes: Ando)
I'm not a hypocrit.  I don't believe that any actor or actress doing a guest stint on a show is going to ruin a show or a fandom.  For this reason, when it was announced that Kristin Bell was going to have a guest stint on Heroes, I didn't have a rant saying "OMG! She'll ruin the show" or complain that now her worshipful fans will begin writing crossover fics.  That's giving one actress and one fanfaction more importance than is logically merited (and this applies to many actresses, actors, and fanfactions).

But reading this morning's announcement that KB has signed on for 13 consecutive episodes with an option to extend the contract still further has disquieted me for several reasons.    I'm wary.

First off, the writers have already said that the storyline for the first half of the season  is so packed that certain regulars from last season are going to have to sit out some episodes and at least one is being killed off (as opposed to KB who will apparently be in 13 consecutively).  Secondly, how many new characters does this make now?  I've lost count, but it's a lot.  And while I squee about Uhura making a guest stint, it's clearly as a secondary character.  But this makes three regulars/semi-regulars (Yes, it's open for KB to perhaps become a regular) in addition to a cast of other guest shot appearances for multiple other actors.

The late, great Douglas Marland once wrote (a fairly famous) set of dos and don'ts for writing serials for television.  One of the rules was not to shove newbies down an audience's throat.  The audience resents it.  He counseled that it takes an audience three to six months to give a damn about new characters  And that's just one new character.  Heroes now has a bunch of newbies, (in addition to the Heroes:Origins series next spring ... on top of Heroes:Classic's  pretty frickin' huge cast).  Add in that the show already has not one but two blonde super heroines to service with storylines, and it's beginning to feel as though Heroes is pushing the envelope with how many new characters it can add to an already overflowing cast.

Sometimes it does a producer good to know when to stop expanding their universe and when the existing characters need adequate tending.

Yes, bringing in new blood is often a good thing.  But it should be handled in a measured way. We don't need a full body transfusion in a couple of hours. 

Maybe this will work out.  I would hate for Heroes to go from something loosely connected but fun to a giant hot mess.  I'm not saying that  it will.  I'm just saying that there's a chance that they're bringing in too many new characters all at once.  (Sort of like Joss did with Potentials).  

Serials -- like fanfic -- should remember that the audience tunes in largely for the characters who brought us to the show.  And, while new characters can certainly win our hearts, a flood of new characters placed front and center immediately doesn't allow much time for audience adjustment or the development of affection.    

Heroes
should tread carefully.   Don't grab for every bright, shiny, new thing. 
shipperx: (Buffy says Duh)
Since I mentioned it earlier, thought I would post the late Douglas Marland's words in their entirity. They are indeed words for TV producers to live by:


How Not to Wreck a Show

* Watch the show.

* Learn the history of the show. You would be surprised at the ideas that you can get from the back story of your characters.

* Read the fan mail. The very characters that are not thrilling to you may be the audience's favorites.

* Be objective. You have to put your own personal likes and dislikes aside and develop the characters that the audience wants to see.

* Talk to everyone; writers and actors. There may be something in a character's history that will work beautifully for you, and who would know better than the actor who has been playing the role?

* Don't change a core character. You can certainly give them edges they didn't have before, or give them a logical reason to change their behavior. But when the audience says, "He would never do that," you have failed.

* Build new characters slowly. Everyone knows that it takes six months to a year for an audience to care about a new character. Tie them in to existing characters. Don't shove them down the viewers' throats.

* If you feel staff changes are in order, look within the organization first. Producers who have worked their way up from staff positions know the show.

* Don't fire anyone for six months. I feel very deeply that you should look at the show's canvas before you do anything.

* Good TV is good storytelling.
shipperx: (Buffy says Duh)
Since I mentioned it earlier, thought I would post the late Douglas Marland's words in their entirity. They are indeed words for TV producers to live by:


How Not to Wreck a Show

* Watch the show.

* Learn the history of the show. You would be surprised at the ideas that you can get from the back story of your characters.

* Read the fan mail. The very characters that are not thrilling to you may be the audience's favorites.

* Be objective. You have to put your own personal likes and dislikes aside and develop the characters that the audience wants to see.

* Talk to everyone; writers and actors. There may be something in a character's history that will work beautifully for you, and who would know better than the actor who has been playing the role?

* Don't change a core character. You can certainly give them edges they didn't have before, or give them a logical reason to change their behavior. But when the audience says, "He would never do that," you have failed.

* Build new characters slowly. Everyone knows that it takes six months to a year for an audience to care about a new character. Tie them in to existing characters. Don't shove them down the viewers' throats.

* If you feel staff changes are in order, look within the organization first. Producers who have worked their way up from staff positions know the show.

* Don't fire anyone for six months. I feel very deeply that you should look at the show's canvas before you do anything.

* Good TV is good storytelling.
shipperx: (Buffy says Duh)
Since I mentioned it earlier, thought I would post the late Douglas Marland's words in their entirity. They are indeed words for TV producers to live by:


How Not to Wreck a Show

* Watch the show.

* Learn the history of the show. You would be surprised at the ideas that you can get from the back story of your characters.

* Read the fan mail. The very characters that are not thrilling to you may be the audience's favorites.

* Be objective. You have to put your own personal likes and dislikes aside and develop the characters that the audience wants to see.

* Talk to everyone; writers and actors. There may be something in a character's history that will work beautifully for you, and who would know better than the actor who has been playing the role?

* Don't change a core character. You can certainly give them edges they didn't have before, or give them a logical reason to change their behavior. But when the audience says, "He would never do that," you have failed.

* Build new characters slowly. Everyone knows that it takes six months to a year for an audience to care about a new character. Tie them in to existing characters. Don't shove them down the viewers' throats.

* If you feel staff changes are in order, look within the organization first. Producers who have worked their way up from staff positions know the show.

* Don't fire anyone for six months. I feel very deeply that you should look at the show's canvas before you do anything.

* Good TV is good storytelling.

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