Apr. 8th, 2014

shipperx: (Hunger Games - Katniss)
So while reading last night, I again fell victim to the 'estranged brother's struggle to come together' trope.  It seems to be one of my story kinks, which made me wonder... why is it always brothers?

You see this in fiction a lot, brothers with a fractious or even estranged relationship who have to find a way to work together and thus grow close and/or reunite.  You rarely (ever?) see that with sisters (or with brothers and sisters).

There are sister plots.  But the sister plot usually seen is quite different.  Frankly, most of them when you see them tend toward the Elizabeth and Jane Bennet (P&P) mold.  There is also occasionally the quasi-maternal  Katniss and Primrose Everdeen mold of one sister going to great sacrifice for the other.   (And the rare brother/sister plots seem to also often fall into either the Katniss/Primrose or Elizabeth/Jane mold where someone is either protecting someone or they're buddies to begin with).

Am I wrong or just not familiar with a sister plot akin to the frequently seen estranged brothers plot?  Anyone have examples?  And I wonder what the gender role dynamics are that have resulted in the frequent use of the estranged/battling brothers* reconciling plot that makes it so much more common than anything similar with female characters.**

Huh...

* The estrangement was pretty severe in the one I was reading.  Set in Victorian London, the younger brother got tossed out to fend for himself on the streets St. Giles until he became a full-blown criminal... who at around the age of twenty returned to have a rip-roaring fight where he defenestrated the elder brother who had turned him away, permanently disfiguring the older brother.

**  And while writing this I did think of Mary and Edith of Downton Abbey as arguing, nearly estranged sisters... except there seems to be absolutely not dramatic push for these two to ever have any sort of reconcilliation or common ground and are just supposed to be separate and unequal forever.  It's basically, they just don't like each other, m'kay...

Heck Yeah

Apr. 8th, 2014 12:35 pm
shipperx: (PTJossS)
So there's this

This being an article: It's Time to Get Over Firefly

Excerpt:



I’m about to commit fandom suicide here, but I suppose if you’re gonna go…{..} it’s not The Best, and I’m still really confused about how it is constantly touted as such. Incredibly confused. And I can’t help but think that shimmery gossamer cloaking it has so much to do with it’s early death.

Here’s the deal: whenever I see a top ten list of practically anything concerning sci-fi television on the internet, if Firefly is not mentioned somewhere, there are lots of angry people insisting at its inclusion. Because the show has touched a lot of people and features some really fun, excellent talent, and because we just love Joss Whedon’s quippy dialogue and no one can tell us we’re wrong. But can we talk about the show as an entity critically? Just for a moment? I keep wanting to, but most people are not so keen to have this conversation...






Two things I have always felt re: Firefly: 1) The world building made no damn sense. 2) There was very little world building. There was a premise/a high concept, but... see #1.*


Oh, and also, guys,  we are thankful that the Confederacy lost. It deserved to.   I'm just sayin'...   (I'm a Southerner, and I'm just sayin'...) 

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